Seville and flamenco, flamenco and Seville. Both things move and breathe at the same time in a documentary that mixes radicalism and roots. Nine people whose lives are defined by the space-time limits of the city and also of flamenco art and dance: Chilean dancer Javiera de la Fuente, poet David Pielfort, gypsy lawyer and feminist Pastora Filigrana, palmero and flamenco dancer Bobote, Rom singer and Hungarian dancer Janek, gypsy actress Rocío Montero, African and English bailaora Yinka Esi Graves, gypsy bullfighter Vanesa Montoya and the director himself, Gonzalo García Pelayo. “Flamenco is black and it is gypsy and it is Andalusian and it is Indian and it is Pakistani and it is Muslim and it is Christian and it is atheist”, we hear people say in a choral film that also gathers performances by Rocío Márquez, Inés Bacán, Silvia Pérez Cruz, Alfredo Lagos, Raúl Cantizano, Leonor Leal and Tomás de Perrate. And the whole debate on cultural appropriationism in the wake of Rosalía is signed with a sovereign quill.