An intimate and poetic portrait of Irmin Schmidt, founder of CAN, one of the crucial and most influential groups of the Krautrock movement that emerged in Germany in the late 1960s. A kaleidoscope of concerts and dozens of films and operas for which he has made music envelope an interview exploring how he reinvented himself countless times and his experiences with classical academicism, with Stockhausen and Ligeti, with drugs and NY minimalism, with his father’s Nazi past and with his passion for cinema and club electronica.